"Soprano Natalie Beck demonstrates that she can effortlessly master demanding Baroque coloratura passages whilst also being equally at home in 19th-century opera, as evidenced on the one hand by the aria ‘Volate, amori’ from George Frideric Handel’s *Ariodante* and, on the other, by ‘Saper vorreste’ from Giuseppe Verdi’s *Un ballo in maschera*. Her bright, brilliant soprano blends with Delia Bacher’s rich, warm mezzo-soprano as the two perform the ‘Barcarole’ from Jacques Offenbach’s *Les contes d’Hoffmann* with captivating charm."

- klassik-begeistert.de, 2026-

‘Natalie Beck provided pure soprano delight in her arias ‘Ich folge dir gleichfalls’ and ‘Zerfließe, mein Herze’, which could scarcely have been performed with greater radiance.’

- Bergsträßer Zeitung, 2026 -

‘In doing so, he brings the plot down to earth, allowing Drusilla (touchingly portrayed by Natalie Beck)...’

- Lübecker Nachrichten, 2026 -

“Drusilla (Natalie Beck), [...] brought the evening to life with her powerful coloratura, youthful radiance and great enthusiasm.”

- KulturPort.de, 2026 -

 “Natalie Beck’s youthful soprano captivates with its bright, crystal-clear tone.”

- Badische Zeitung, 2025 -

“Above all, Natalie Beck’s clear, warm voice was compelling” 

- Mittelbadische Presse, 2024 -